St Oswald's stands at the high western end of the village, on a small platform of churchyard. It is built of limestone and gritstone with a stone-slate roof — the west tower of darker, harder gritstone weathered almost to grey-black, the nave and chancel in mellower limestone. The contrast is unusual, and unforgettable.
The plan is generous: a nave with both north and south aisles, a south porch, a chancel almost as long as the nave itself, and a west tower embraced by the aisles. The chancel is the prize — its shafted capitals and plain string courses belong to the very end of the twelfth century, the moment Romanesque was beginning to give way to Early English Gothic.
The aisles were added through the thirteenth and fourteenth centuries; the tower came later still, around 1500, when the nave was extended one bay westwards. In 1854 G. G. Scott restored the building with notable sympathy — his work confined largely to a new south porch and nave windows. The Norman fabric he found, he kept.
The church is traditionally held to take its dedication from Saint Oswald of Northumbria — the seventh-century warrior-king and founder of Lindisfarne — rather than the tenth-century Bishop of Worcester who shares the name.